One pipeline. Ten mythologies.

A portfolio of AI-built universes, each drawn from a different culture's mythology, for audiences of every generation.

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StatusLive · world one

19.3Mviews on the 1001 YouTube channel1001 on YouTube · 1001.dk

77.3Ksubscribers on the 1001 channel1001 on YouTube · 1001.dk

11films since February 20261001 on YouTube · 1001.dk

Every culture already wrote its greatest stories. SAGAS gives them a screen.
Mythology has outlived every empire that told it, with worlds, heroes, villains, creatures and rituals enough for decades of storytelling.
The stories belong to everyone. SAGAS is the first to build one modern franchise system around them all: one engine, ten catalogues.

Ten worlds: 1001 (Arabian Nights, live), Nayan, Valhalla, Qi, Ankh, Olympus, Zana, Amaya, Wakan and Mana, each from a different culture.
World one, 1001, is live on YouTube in colloquial Arabic and English: Aladdin, Sinbad, Ali Baba and the Jinn.
Central standards, distributed creation, elite finishing: creators from each culture shape the stories; one finishing team holds a single quality bar.
Headquarters in Denmark, Israel and the UAE, plus cloud workers and studio affiliates worldwide.

HQ: Brand standards, playbooks, talent network, tooling, management
Locals: Writers, artists and cultural researchers from each culture
AI: Shared models, asset libraries, workflows
Elite: Oversight, post-production and release, centralised
Creator cells: Cairo · Mumbai · Bergen · Beijing · Luxor · Athens · Lagos · Cusco · Pine Ridge · Auckland

SAGAS sits where animation, licensing and a fast-growing MENA media market meet; character IP is the largest licensing business on earth.
No one has to teach the world who Thor, Anubis or Sinbad is; the characters arrive known in every market.

Stage 1, Screen: kids content, holiday specials and originals, the audience-building layer every world opens with.
Stage 2, Expansion: merchandise, mobile games and print take the world from the screen into the home.
Stage 3, Platform: the SAGAS app, digital collectibles and a foundation for education and creative work.
Nine verticals are defined once at SAGAS and inherited by every mythology, each world opening them in the same order.

World one is live on YouTube in colloquial Arabic and English; nine more worlds follow the same order of release.
Each world is shaped by creators from its own culture, so audiences recognise it at once, because it is their own.

Moonbug: CoComelon and Blippi under one multi-IP studio, the shape SAGAS is built to become.
WildBrain · Kartoon: library-and-licensing models, with a catalogue of characters monetised across broadcast, streaming and consumer products.
Sanrio: the character-licensing powerhouse, proof that consumer and platform layers can outgrow the screen that created them.

World one, 1001, found its audience: mythic, photoreal films in colloquial Arabic and English.
19.3M views and 77.3K subscribers on the 1001 YouTube channel; eleven films released since February 2026.
Nine more worlds are slated: India, Norse, China, Egypt, Greece and Rome, Africa, the Americas, North American plains, Oceania.

Now, 1001 deeper: Aladdin Part 3, Sinbad Part 2, a mini-series season and seasonal specials, written into the SAGAS playbook.
Next, a second world: the playbook cloned to a Western mythology, Valhalla or Olympus, with the first regional creator cells.
Then, worlds in parallel: MENA and global worlds in alternation, and publishing, merchandise and the SAGAS app shared by every mythology.

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